1836-1910 Winslow Homer Locations Winslow Homer (February 24, 1836 ?C September 29, 1910) was an American landscape painter and printmaker, best known for his marine subjects. He is considered one of the foremost painters in 19th century America and a preeminent figure in American art. Largely self-taught, Homer began his career working as a commercial illustrator. He subsequently took up oil painting and produced major studio works characterized by the weight and density he exploited from the medium. He also worked extensively in watercolor, creating a fluid and prolific oeuvre, primarily chronicling his working vacations.  Related Paintings of Winslow Homer :. | Croquet Scene | Prisoners from the Front (mk44) | Homosassa Jungle (mk44) | A Wall, Nassau | Eine Sommernacht |
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BASTIANI, Lazzaro
Italian painter, Venetian school (b. 1449, Venezia, d. 1512, Venezia) Italian painter. He is first recorded in 1449, as a painter in Venice and in 1460 he was paid for an altarpiece in S Samuele there. Although no extant work is securely documented, several are signed and two are dated. The influence of Andrea del Castagno is clear in his early works, of the 1460s: the signed mosaic of St Sergius (Venice, S Marco), the Archangel Gabriel (Padua, Mus. Civ.) and the signed Piet? (Venice, S Antonino). Also assigned to this period are the Adoration of the Magi (New York, Frick), the polyptych of St Francis (Matera, S Francesco), the St Jerome.
Morgenstern, Christian
German, 1805-1867 German painter. After training from 1824 with Siegfried Bendixen (1786-1864) in Hamburg, he studied at the Kunstakademi in Copenhagen in 1827 and made sketching trips to Sweden and Norway. He then settled permanently in Munich. He was influenced in particular by 17th-century Dutch painters, notably Jacob van Ruisdael, the Copenhagen plein-air painters, the emerging Norwegian landscape school and the early Realist painters working in Munich, such as Johann Georg von Dillis. Morgenstern explored objective, pure landscape painting with intimate motifs in such works as Beech-tree Trunks in Fredericksdal near Copenhagen (1828; Hamburg, Ksthalle). He also painted scenes combining closely rendered foreground details with extensive,
Raphael Coxie
painted The Last Judgment in 1588